How to color balance in darkroom booth
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Listed below are some of the most important considerations for successful fluorescent mineral photography, as well as many of the problems people face when first shooting “glow rocks”. But with careful attention to camera settings, a few tricks (and lots of hair pulling) an acceptable shot can be taken.įor more on UV photography, especially using LW flashlights/torches this is a great site. The esperite ( a bright yellow fluorescing mineral) often appears green, the willemite appears white (a bright green in reality), while the calcite might be captured as its normal orange, and the dark blue/purple fluorescing hardystonite might not even be visible. For example, one of the hardest pieces to photograph is the classic combination of calcite, willemite, hardystonite, and esperite. Many specimens have multiple minerals fluorescing different colors - some much brighter than others. Shooting in the dark usually requires long time-exposures of a widely variable subject. Some handle it better than others, but most must be tweaked to produce an acceptable image.
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The camera now has to capture vividly glowing, saturated colors in a dark room. When photographing fluorescent minerals the game is changed dramatically. People (and cameras) usually take pictures of well-lit scenes and rarely have to worry about overexposing an image. Fluorescent Mineral Photography A collection of random hints and techniquesįluorescent mineral photography is a challenge.